Shivamovic interviewed by Braveheart

 LOST IN TRUCK LAND

I call my work as 'finished work' after  the first rehearsal

I don't want audience to perceive anything

Let's make this interview as long as it's possible

I'm inspired from my family.

Mum as producer

Father as a stenography

Brother organize sounds material

Sister is a dramaturge

Braveheart is a new member of family

Piece  has  four parts and three characters -  Braveheart (like a Braveheart) ,Nineta (wearing cat's mask) and me (in policeman costume). We are shifting roles all the time. Bravehear become me, I become Braveheart, Nineta become Braveheart, Braveheart become me and so on... Embodiment threes bodies

 We are imperfect family. It's imperfect because it's real. The line between perfect and imperfect is very subtle. In perfection imperfection is contained. Breaveheart is master of imperfection. Nineta lives in imperfect World. She doesn't have money and can not afford  to buy organic food from Brio.

My life and work are strongly connected. As performer I'm looking for happiness. (Many times while I'm performing I feel unhappy) With Braveheart we are trying to have fun during performance. This is our strategy.

Orgasmic state  maintained for so long that it becomes unpleasant. How to stretch time? Is it possible to have performative orgasm? (Nineta could be composed by other dogs)

Experience of pleasant moment

How to don't lose lighter in the pocket - this is very important, it's change quality of your life

Bravehear enter with mask of mermaid, post contemporary mermaid carrying bombs.

With that bombs she is destroing  Theater. Nineta is taking care of audince, yes - she  bites them...but just to help them

I enter into the truck, scream "everybody jump in", after (their jump) we leave Theather on truck.

Alternative version :

Nineta, Truck and Emergency Exits are projected on back wall, integrated with space, audience forget its not real. Confusion with what is real what is fake. Nineta is doing her own life, truck is coming forward audience and exits are just mock.

I have  bicycle instead of truck, Bravehear construct another one during all piece.

I can carry at least 15 people on my bike on the End.

Time. Bravehear construct future in present moment, im in present, Nineta is in the past or out of space.

As if we forgot to save all people, for the rest we can come back in the next show in the next theater.

Huge truck and little balloons. Balloons enters in us - I mean the air from balloons.

At the end Braveheart will sing "By my side"

Braveheart interwieved by Shivamovic

I feel very confused,

so, characters are many but one.

they recognize themselves by colours.

feeling by nose

touching by lever

seeing by coccyx

smelling by ears

they have a specific space, confort zones where they feel safe, sometimes they get out of this places and risk their life in front of the audience. brave performers.

lot of layers:

pink one is talking with black one, pink is taking off her pink skirt , undert that he has a black skirt. black one is confused.

they become other characters all the time.

they don’t have any skin, that’s why they are wearing so many clothes, otherwise they would fall apart.

my goal is to do not kill myself after the show and also to do not lead audience to commit suicide.

rainbow today wanted to commit suicide,

doçe de worm wants to suicide itself in the rainbow.

each character produces a specific animal cry

rabbit is special, he has some problems, he actually is a rabbit in the body of a cat.

if you loose you get naked, deal?

there will be a collage of the most cheesy and romantic songs ever, just to emphasize the dramaturgy of the love encounter.

the love story will be projected in the mirror of the theatre’s toilet .

so one goes to the toilet , he sees himself into the mirror and his image is totally integrated with the love story.

ones a woman fell in love in that toilet. she is still there

audience is very active, they can vote ,scream and follow the emergency exit.

.dream a little dream of me.

there are these two porno dolls without holes,

pornoola is giving her organs to pornovale. not orgasm, organs.

once upon a time they were real, then industrial production came and they started to be multiplied .

at the beginning they had no holes, just organs. no holes no orgasm.

now they are old fashion.

Breaveheart and Shivamovic

We deserve sunshine

 me and breaveheart

 Ola and shivamocic

assuming she is pretty,

as we could appreciate in her last piece: ”carrying Cassandra until the end”.

assuming I’m disturbed,

as we could notice in my last piece: ”unfilled”.

from here we start,

assuming I’m pretty as we could appreciate in my last piece: unfilled

assuming she is disturbed as we could notice in her last piece: ”carrying Cassandra until the end.”

from here they start.

you may call her shivamocic

you may call her breaveheart

this is the story of an encounter

where super heroines use to have back pain and spots.

the youngest has blue eyes

the oldest, on the other hand, has eyes blue but sometimes green.

the super heroin’s piece has been developed following few main strategies: potential danger, displacement of solos materials, other way round creation process,obsessive documentation.

In order to feed their creative process they also developed practices of passions and violence as teaching to each-other their own master piece recipes, meet their pets and take a boat to cross the river.

white bones wait!

here we are

shut me down and put me in a box

oh jesus

I’m leaving you

oh god

oh god

oh

god

never leave me again

forever upside down

this is extremely interesting

I don’t have any problem with god

LISTING

List of topics
List of being together
List of rituals ...in constraction

Potential danger - 25.04 - pink block
Displacement of solos....coming soon

Branka Zgonjanin

Branka Zgonjanin
Anatomy of the ONE DOUBLE BODY
execrpt:
The MUSCLES
Body as a tabula rasa an ultimate openness for the obscurities and depths of the research process
Body as a receptor
a sensual machina which can feel/think and re- produce feelling /ideas
Body as a container
where emotions, histories, happenings, stores, clutters, shocks, joys, miracles...
are stored and they can be used for dance making
Body as a habitus
Body as a sacrifice

The VESSELS
How to choreograph the specific state of mind?
How to dance concepts and statements?
How to choreograph anarchy?
What is the aesthetics of awareness?
How phisical one needs to be(come) in order to become the body itself? Or ho to embody the body you have?
Or- can body become isotropic for a moment in all it's parts?
How to embody the image - how to pictorialize the movement?
How to non - stop de-contruct yourself and how to non- stop construct yourself while performing?

Vale about Vale's solo

First body prepear me to be nacked
Second is shamefull, then i have nothing to be ashame.

Directions"
"I'm sick of this movement
Give house of extermity of body
Experiment continous
Change of focus
Movement you have found don't belong to you
Shaking time"

Dressing the space, There is no space which is natural. So it's bether to do it more personal

Where is my movement when it's not visible yet. Are you sure it's come from inside??

What are we doing here

Creation is the birth of a child, the process is variable, you feel pain in childbirth, then relief, sometimes you need hands from the outside, sometimes you do not want to let it out into the World. The point is : you must be careful what you feed.

Etnography as a practice and three bodies

ETNOGRAPHY AS A PRACTICE:
- recording solo material - at least every three days
/project it in real time ?/
-create a blog
-make pictures
/yes to camera - no to studio/
- (re)write a partitude
/tweast process/
-audio
/in black box/cut sences

THREE BODIES
- ritual one
/etnography/
- 7+ 4 = 5+6
body + imaginary = time + space
/play with element of the equation

-change of perspective
/eye camera/inner body/

How to introduce package (body) in other box ?
Why video - it's detail inlvolving
changing real, space, time and possibilities of body presence

In Between

Unbalance is a moment between one balance and another